Urinetown Auditions
*Open call auditions for ages 12 and up. Please note, this is not a "pay to play" production. It is by audition only.
Not all who audition will be cast. We are seeking the very specific roles listed below, and are open to the possibility of casting a few younger ensemble members ages 12-14. If cast, there is a $375 tuition fee for all cast members under the age of 19. This is part of our Pre-Professional Educational Programming, and will be treated as such.
Adult cast members will be asked to be mentors to those in our program throughout the process, alongside their roles, and will be asked to obtain or provide volunteer clearances to work with young people.
Music by Mark Hollmann
Lyrics by Mark Hollmann and Greg Kotis
Book by Greg Kotis
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Director: Mandy Bogue
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Choreographer: Cristina Sohns-Williams
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Music Director: Molly Cerep
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WITH SPECIAL Guests FROM THE ORIGINAL BROADWAY CAST
KEY DATES
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Rehearsals begin Monday, January 13th, 2025
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Tech Week: March 24th-March 26th 2025
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Rehearsal schedule will be created after casting and conflicts are complete and turned in. There will be some rehearsals on the weekends, for music only.
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Performances: March 27th, 28th, 29th 2025
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Possible Show extension, if cast is available, April 4th and 5th 2025
Audition Information
Auditions will be held Saturday, Jan. 4th 2025 from 11am – 5 pm in person at Imagine Performing Arts Center.
To schedule a 10 minute time slot, please click below:
If you are unable to to make an audition that day, please fill out the form in the link above, and choose the "submit by video" option. Videos are due no later than Friday, January 3rd.
There will be a REQUIRED DANCE CALL for all auditioning on Saturday January 4th from 11am-12:30pm
What to Prepare:
Please prepare A song or song cut from, or in the style of the show. Please email your track of music to mandy.bruno-bogue@imaginenepa.com prior to auditions.
Bring a headshot and resume if you have one, and a list of conflicts through April 5th,
For the Dance call, please bring clothes and shoes that are comfortable to move in. Auditioners must attend the dance call or send a list of dance experience with your audition tape if not auditioning live.
Auditions will be held at Imagine Performing Arts Center:
113 Church Street, Dalton, PA 18414
Callbacks by invitation only will be held on Wednesday, January 8th.
conflict calendars will be taken into consideration for casting.
No conflicts during tech week accepted.
Please reach out if you have any questions or concerns.
SUMMARY
URINETOWN (the musical!) is fast-paced and high-energy, pausing only when needed to make a point or land a joke. The entire company will be active for most of the show, and there are quick changes aplenty for the actors who explicitly double. We’re looking for exceptional actors who sing and move well, so bring us your best stuff and prepare to be busy!
We’re not able to change the script or the music, but are open to considering actors of any gender identity for roles of specific gender identities — for example, a female or nonbinary *actor* portraying Bobby Strong, or a male or nonbinary *actor* playing Hope — though the *role* (Bobby or Hope) will remain its specified gender in the script. The actor would need to demonstrate the capability to portray the specified character as well as sing the required range. The role of Senator Fipp may be portrayed as any gender.
Imagine Performing Arts Center is actively reshaping our company to be reflective of the community it serves. We practice non-traditional and identity-conscious casting in all our productions. We are seeking and highly encouraging all actors to submit, regardless of race/ethnicity/caste, disability, body type, age, orientation, or gender/gender identity.
ROLES:
All roles are open. We are open to all ages in every role.
Officer Lockstock, male, Baritone (A2-A4)
Officer Lockstock is our story’s narrator, frequently breaking the fourth wall to converse directly with the audience… but sometimes still misses the joke. He has power and authority – and enjoys them. The actor playing Lockstock needs to be able to command a room but also to slip into the background and watch events unfold. He mostly speaks and sings in his impressive lower register, but there’s at least one unreasonably high vocal passage in Act 2.
Officer Barrel, male, Baritone (G2-F4)
Lockstock’s partner in policing, Barrel does more of the dirty work and enjoys it, but he’s got a secret. There are some low notes here, so show us your range!
Bobby Strong, male, Tenor (A2-C5)
Our dashing protagonist, Bobby, starts out working for Miss Pennywise and ends up starting a revolution. You know the story: boy meets girl, boy finds out girl is the daughter of crushingly-powerful business magnate, boy is inspired to overturn social and political order. Classic. The fire of righteousness burns bright inside of Bobby, but let’s just say he’s not necessarily the brightest bulb in the box. Show off your leading-man-tenor belting chops.
Hope Cladwell, female, Soprano (A3-A5)
Hope has just finished college – she’s innocent, naive, and ready to start in the working world. After meeting Bobby, she’s torn between her loyalty to her father and her love for Bobby and the ideals that burn within him. Which side will Hope choose, and how far will she go? Bring us your soaring soprano plus your gospel-infused belt.
Caldwell B. Cladwell, male, Baritone (A2-G4)
Cladwell isn’t evil; he’s just… well, okay, he’s at least a little evil. A ruthless tycoon who’s succeeded in bribing and manipulating his way to the top, he now exploits the needs of the many to line his own pocket with cash. But deep down… he kinda has a point. The actor playing Cladwell needs to command every second they’re onstage and should be able to deliver horrifying rhetoric with a purr.
Penelope Pennywise, female, high belter (A3-C6)
Brassy but jaded and burned by her past, Penelope “Penny” Pennywise runs the town’s poorest, filthiest public amenity (toilet). She knows the reality of the world better than anyone, given what’s happened to her and where she’s ended up. Think janitorial Matron Mama Morton plus some wailing high notes — and a secret or two of her own. Come show us your high C and your mezzo Real Talk.
Josephine “Ma” Strong, female, Mezzo (Bb3-D5)
One of the Poor, Bobby’s mother and Old Man Strong’s wife, Ma joins Bobby’s rebellion when her husband’s trip to Urinetown fails to break her. Gritty, determined, and willing to go farther than you might think.
Joseph “Old Man” Strong, 50+
One of the Poor, Old Man Strong is the catalyst for the rebellion when he’s unable to pay the amenity’s fee in the morning, and all hell breaks loose. Grumpy and resentful, but also a little charming and conniving. The actor playing Old Man Strong doubles as…
Hot Blades Harry, male, Baritone (A2-F4)
One of the Poor, Hot Blades Harry is vengeful and a bit of a loose cannon. He’s got violent tendencies and has to be reined in by his fellow Poor, only sometimes successfully. He may or may not have a relationship with Little Becky Two-Shoes; they’d never tell. The actor playing Harry doubles as Old Man Strong; Harry requires strong movement and harmony singing.
Little Sally, female, Mezzo (A3-E5)
One of the Poor, Little Sally is THAT kid — the annoying know-it-all who can also turn on the puppy eyes. Whip-smart and capable of pointing out the foibles of authority then dodging away before she faces any consequences, Sally is still a poor street kid, saving her pennies. Brilliant comic timing is a must; know how to play earnest and how to poke fun at earnestness.
Tiny Tom, male
One of the Poor, Tiny Tom is not smart. No, like… REALLY not smart. The actor playing Tiny Tom doubles as…
Dr. Billeaux, male, Tenor (D3-A3)
He is head of Cladwell’s research team, but nobody knows what he’s researching. Is he Dr. Strangelove, Dr. Bunsen Honeydew, or Dr. Pepper? The actor playing Dr. B doubles as Tiny Tom; both roles require strong movement and harmony singing.
Soupy Sue, female, Mezzo (Bb3-B4)
One of the Poor, Soupy Sue is nervous and excitable — hesitant to take action, questions everything, and worries constantly. The actor playing Soupy Sue doubles as Cladwell’s Secretary (nonspeaking); both roles require strong movement and harmony singing.
Little Becky Two-Shoes, female
One of the Poor, Little Becky is reactionary, a little maniacal, and willing to see the worst in everyone. She may or may not have a relationship with Hot Blades Harry; they’d never tell.
Mrs. Millennium, female, Sop with strong belt (Bb3-F5)
One of Cladwell’s hangers-on, a climber who just might be sleeping her way to the top.
Robby the Stockfish, male
One of the Poor, Robby goes along to get along and will happily shout in support of whatever the person in front of him suggests.
Billy Boy Bill, male
One of the Poor, Bill never really grew up.
UGC Executives #1 and #2, male,
Cladwell’s lackeys.
Mr. McQueen, male, Baritone (B2-E4)
As Cladwell’s assistant, Mr. McQueen is a toady, a suck-up, a sycophant. He will say and do whatever he needs to survive.
Senator Fipp, any, Baritone (C#3-F4)
Long ago, they took a bribe in exchange for pushing Cladwell’s agenda in the Legislature. Greedy and self-serving but ultimately cowardly, Fipp just wants to retire somewhere nice…with a lot of cash.